Reicha A. Fugues Piano

36 FUGUES POUR PIANO

AUTEUR: ANTOINE REICHA 1770-1836

EDITEUR: JAN SYKORA

STYLE: Classique

NIVEAU: 2me 3me Cycle

COMMENTAIRE: The Czech composer Antonin Rejcha (also Anton Reicha, 1770–1836) was famous as both an experimental composer and as a teacher and theorist. His “36 Fugues for Piano” testify to this experimentalism; they can be seen as a type of
“Well-Tempered Piano of the new ages”, basing the traditional Baroque fugue on radical new fundaments.

The first edition of this unusual collection was produced in 1803 in Vienna by Reicha’s own publishing company “Au Magasin de l’Imprimerie chimique”. It included both a dedication poem to Joseph Haydn and a comprehensive foreword in which Reicha identifies the characteristics of his compositional style. The second edition (Vienna 1805) included a short theoretical text “Über das neue Fugensystem” (“On the new fugal system”) in the form of a polemic, reacting to his critics, one of whom was Beethoven. Six fugues are based on the themes of other composers (Haydn, Bach, Mozart, Scarlatti, Frescobaldi, Handel).

The musical text is a corrected reprint of the edition by Václav Jan Sýkora from 1973, which itself was based on the referred to edition from 1805 as well as on the later edition by Tobias Haslinger (Vienna, c. 1828).

- Works historically important to the development of the fugue
- New foreword by Roman Dykast (Cz/Eng/Ger)

TITRES: Fuga c. 1 / Fuge Nr. 1 / Fugue No. 1
 • Fuga c. 2 / Fuge Nr. 2 / Fugue No. 2
 • Fuga c. 3 (Theme de J. Haydn) / Fuge Nr. 3 (Theme de J. Haydn) / Fugue No. 3 (Theme de J. Haydn)
 • Fuga c. 4 (A deux sujets) / Fuge Nr. 4 (A deux sujets) / Fugue No. 4 (A deux sujets)
 • Fuga c. 5 (Theme de J. S. Bach) / Fuge Nr. 5 (Theme de J. S. Bach) / Fugue No. 5 (Theme de J. S. Bach)
 • Fuga c. 6 / Fuge Nr. 6 / Fugue No. 6
 • Fuga c. 7 (Theme de W. A. Mozart) / Fuge Nr. 7 (Theme de W. A. Mozart) / Fugue No. 7 (Theme de W. A. Mozart)
 • Fuga c. 8 (Cercle harmonique) / Fuge Nr. 8 (Cercle harmonique) / Fugue No. 8 (Cercle harmonique)
 • Fuga c. 9 (Theme de Domenico Scarlatti) / Fuge Nr. 9 (Theme de Domenico Scarlatti) / Fugue No. 9 (Theme de Domenico Scarlatti)
 • Fuga c. 10 / Fuge Nr. 10 / Fugue No. 10
 • Fuga c. 11 / Fuge Nr. 11 / Fugue No. 11
 • Fuga c. 12 / Fuge Nr. 12 / Fugue No. 12
 • Fuga c. 13 (A deux sujets) / Fuge Nr. 13 (A deux sujets) / Fugue No. 13 (A deux sujets)
 • Fuga c. 14 (Fuga - Fantasia) / Fuge Nr. 14 (Fuga - Fantasia) / Fugue No. 14 (Fuga - Fantasia)
 • Fuga c. 15 (A 6 sujets) / Fuge Nr. 15 (A 6 sujets) / Fugue No. 15 (A 6 sujets)
 • Fuga c. 16 / Fuge Nr. 16 / Fugue No. 16
 • Fuga c. 17 / Fuge Nr. 17 / Fugue No. 17
 • Fuga c. 18 (A deux sujets) / Fuge Nr. 18 (A deux sujets) / Fugue No. 18 (A deux sujets)
 • Fuga c. 19 / Fuge Nr. 19 / Fugue No. 19
 • Fuga c. 20 / Fuge Nr. 20 / Fugue No. 20
 • Fuga c. 21 / Fuge Nr. 21 / Fugue No. 21
 • Fuga c. 22 / Fuge Nr. 22 / Fugue No. 22
 • Fuga c. 23 / Fuge Nr. 23 / Fugue No. 23
 • Fuga c. 24 (Deuxieme mesure composee) / Fuge Nr. 24 (Deuxieme mesure composee) / Fugue No. 24 (Deuxieme mesure composee)
 • Fuga c. 25 / Fuge Nr. 25 / Fugue No. 25
 • Fuga c. 26 / Fuge Nr. 26 / Fugue No. 26
 • Fuga c. 27 / Fuge Nr. 27 / Fugue No. 27
 • Fuga c. 28 / Fuge Nr. 28 / Fugue No. 28
 • Fuga c. 29 / Fuge Nr. 29 / Fugue No. 29
 • Fuga c. 30 (A trois sujets) / Fuge Nr. 30 (A trois sujets) / Fugue No. 30 (A trois sujets)
 • Fuga c. 31 (A deux sujets) / Fuge Nr. 31 (A deux sujets) / Fugue No. 31 (A deux sujets)
 • Fuga c. 32 (A deux sujets) / Fuge Nr. 32 (A deux sujets) / Fugue No. 32 (A deux sujets)
 • Fuga c. 33 / Fuge Nr. 33 / Fugue No. 33
 • Fuga c. 34 (A deux sujets) / Fuge Nr. 34 (A deux sujets) / Fugue No. 34 (A deux sujets)
 • Fuga c. 35 / Fuge Nr. 35 / Fugue No. 35
 • Fuga c. 36 / Fuge Nr. 36 / Fugue No. 36