Sevcik OP 2 Part 1 et 2 Violoncelle
Détails Librairie musicale Sevcik OP 2 Part 1 et 2 Violoncelle
EXERCICES POUR VIOLONCELLE
AUTEUR: OTAKAR SEVCIK
STYLE: Classique
COMMENTAIRE: Otakar Ševcík’s op. 2 is a fundamental tutor for teaching the violin. It focuses on the elementary problems of right-hand technique which Ševcík practises in 4,000 variants of systematically organized exercises for all bowings. This famous tutor has remained in use to the present day and is equally valued by players of other string instruments.
The distinguished cellist Tomáš Jamník has arranged the “School of Bowing Technique” for the violoncello, taking into account its differences from the violin. He has transcribed individual exercises for the violoncello without neglecting Ševcík’s original pedagogical aims. As a result, this edition differs fundamentally from the only known cello arrangement of this opus by Louis R. Feuillard.
TITRES: Section I:
Preparatory exercises:
No. 1: How to hold the bow
No. 2: Movement of the bow
Rhytmic exercises and bow-lenght division:
No. 3: Example in semibreves, with 57 variants
No. 4: Study in minims, with 75 variants
Detached and springing bowing styles:
No. 5: Study in crotchets, with 260 variants
No. 6: Study in quavers, with 214 variants
No. 7: Study in quavers in 6/8 time, with 91 variants
The preceding bowing exercises in the high positions:
No. 8
No. 9
No. 10
Exercises in broken chords on 3 and 4 strings, using preceding bowing styles:
No. 11
No. 12
Section II:
No. 13: Study in triplets, with 105 variants
No. 14: Study in triplets in 3/4 time, with 77 variants
No. 15: Study in semiquavers in 6/8 time, with 64 variants
No. 16: Study in semiquavers in 3/4 time, with 68 variants
No. 17: Study in semiquavers in 4/4 time, with 131 variants
Exercises in "pp" over the fingerboard, in order to develop softness of tone:
No. 18: Example with 30 variants
No. 19: Study with 59 variants
Exercise in sustained notes and for economy of the bow: No. 20
Exercises in broken chords on 3 and 4 strings, using preceding bowing styles:
No. 21
No. 22
No. 23
No. 24
The preceding bowing exercises in the high positions:
No. 25
No. 26
No. 27
No. 28
Supplement:
Exercises themes
Exercises in the thumb position:
No. 5A
No. 5B
No. 6A
No. 6B
No. 7A
No. 11A
No. 13A
No. 14A
No. 16A
No. 22A
et fidélité
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